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Home / Exhibitions / Immerse & Nourish - Araluen Collection

Immerse & Nourish - Araluen Collection

Take a break from the baking heat of Central Australia and be replenished with these energising artworks drawn from the Araluen Collection. This exhibition brings together works by Indigenous and non-Indigenous artists with a focus on water – surface or subterranean – as a life-giving force for people and Country. In these artworks we see the Country of Central Australia with its soakwater systems and distant rockholes waiting for rain, and beyond to the oceans and beaches of this vast continent. This exhibition offers a sanctuary to contemplate and be nourished.

Central to this exhibition is Fiona Foley’s arresting 2024 Alice Prize winning video work Janjari 2022 which takes the viewer on a journey that flips “the ethnographic lens of colonial myth making” through her Country of K’gari (Fraser Island). It’s provocative, immersive and visually stunning. Elton Wirri’s recently acquired watercolour painting Petermann Ranges immediately places the viewer in Central Australia.This majestically lyrical painting illuminates the vitality of his mother’s and grandmother’s Country. While John Olsen’s impressive Lake Eyre - the Edge 1985 – 2021, donated by the artist in 2022, captures the moment the rains from the distant north reach this immense catchment in remote South Australia, bringing sustenance and life.

Grace Kemarre Robinya invites us to witness the glorious rain upon her Country at Mount Wedge and Ginger and Iyawi Wikilyiri take us deep within their Country in Husband and wife story 2012 to reveal intricate knowledge of ancient water systems. In contrast, Mac Betts’ Cable Beach 1977, gifted to the Araluen Arts Centre for its opening in 1984, transports us to walking bare foot on the soft golden sand of this iconic Broome beach. You can almost hear the waves splashing on the sand. While local artist Alison Hittman captures the lushness of Central Australia’s soft sand dunes and desert oak trees in seen from a troopy 2003. Deborah Clarke, another local artist, creates an illusion of the Ilparpa claypans after rain where the viewer has no sense of horizon or scale of the scene depicted. Soak up the replenishment and nourishment of this exhibition as we move through summer.



Fiona Foley
Janjari 2022

Digital media, 17 mins
Araluen Art Collection. Winner of the 2024 Alice Prize.
Acquired by the Alice Springs Art Foundation.
Judge: Daniel Mudie Cunningham. Donated to the  
Alice Springs Town Council for the people of Alice Springs

 


Elton Wirri
Petermann Ranges, NT (Kaltukatjara/Docker River side)

2023 Watercolour on paper 91 x 142 cm
Araluen Art Collection. Acquired from Desert Mob 2024

 


John Olsen
Lake Eyre - the Edge 1985-2021
Oil on linen 184 x 92.5 cm
Araluen Art Collection. Donated through
the Australian Government’s Cultural Gifts
Program by John Olsen in 2022.


Grace Kemarre Robinya
Raining at Mount Wedge 2022
Synthetic polymer paint on linen 91.5 x 11.5 cm
Araluen Art Collection. Acquired from Desert Mob 2022

 


Deborah Clarke
Claypans after rain 2006
Digital photograph on canvas 75 x 200 cm
Araluen Art Collection. Acquired in 2006

 


Ginger and Iyawi Wikilyiri
Husband and wife story 2012
Synthetic polymer paint on linen 200 x 200 cm
Araluen Art Collection. Acquired from Desert Mob 2012

 

 


Mac Betts
Cable Beach 1977
Synthetic polymer paint and oil on canvas 225 x 161.5 cm
Araluen Art Collection.
Gift of the Visual Arts and Craft Board of the Australia Council
for the opening of the Araluen Arts Centre in 1984.

 


Deandra (Joyce) James
Mimpu (water bowl) 2023
Desert bloodwood 14 x 20 x 26 cm
Araluen Art Collection. Acquired from Desert Mob 2024

 


Alison Hittman
Seen from a troopy 2003
Synthetic polymer paint on canvas 65 x 99 cm
Araluen Art Collection. Acquired in 2003

 


Marlene Rubuntja
Woman with coolamon 2014
Mixed media 86 x 60 x 15 cm
Araluen Art Collection. Acquired from Desert Mob 2014